Anna K.E. was born in 1986 in Tbilisi, Georgia. Selected solo shows include: The Delaware Contemporary, Wilmington, DE, USA; REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, curated by Margot Norton, Georgian Pavilion at the Venice Biennale (2019); Queens Museum, New York, USA (2017-2018); Kunstpalais Erlangen (with Florian Meisenberg), Germany (2019); Simone Subal Gallery, New York, USA (2020)(2018)(2015)(2013); Primary, Nottingham, UK (2017); Sommer Gallery, Tel Aviv (2016); Galerie Barbara Thumm, Berlin, Germany (2020)(2015)(2013); Mannheimer Kunstverein, Mannheim, Germany (2012); Gallery Figge von Rosen, Cologne (2013) (2011); Kunstverein Leverkusen, Leverkusen, Germany (2011); Pilot Projekt, Düsseldorf (with Tamara K.E.) (2008); Schaufenster des Kunstvereins für die Rheinlande und Westphalen, Düsseldorf (2007). Selected group shows: Hardspace, Basel, Switzerland (2019) Galeria Nara Roesler, São Paulo, Brazil (2018); Zentrum für Kunst und Medien, Karlsruhe, Karlsruhe, Germany (2017); G2 Kunsthalle, Leipzig, Germany (2016); The Kitchen, New York, NY (2015); Museum of Contemporary Art, Santa Barbara, CA (2015); Kunstverein Wiesen e.V. Wiesen, Germany (2015); Kunst Raum Riehen, Switzerland (2015); KAI10, Quadriennale Düsseldorf, Germany(2014); Petach Tikva Museum of Art, Israel (2014); The Renaissance Society, Chicago, IL, USA; The III Moscow International Biennale for Young Art, Moscow, Russia (2012); Kunsthalle Recklinghausen, Germany (2011); Gallery Barbara Thumm, Berlin, Germany (2010); Museum K21, Düsseldorf (2010); Young Biennale Köln 2010, Cologne (2010); Cobra Museum, Amsterdam, The Netherlands (2009); Kunstverein Ludwigshafen, Germany (2009); Neues Kunstforum Köln, Cologne, Germany (2009); Stadtgalerie Saarbrücken, Germany (2008); Gloriahalle, Düsseldorf, Germany (2008); Museum am Ostwall, Dortmund, Germany (2005); Museum Kunst Palast, Düsseldorf , Germany (2005); Kunstverein Mönchengladbach, Germany (2005); and Museum Bochum, Germany (2004). In 2012 Hatje Cantz published Anna K.E.’s first monograph entitled A well-to-do man is cruising in his fancy car when a small hen runs out on the road in front. Anna represented Georgia in the 2019 Venice Biennale.

Veronika Pausova was born in 1987 in Prague, Czech Republic. She currently lives and works in Toronto, Canada. Recent solo and two person exhibitions include Esker Foundation, Calgary, Canada (2021, forthcoming); The Sunday Painter (2021, forthcoming); A to C, Simone Subal Gallery, New York (2019) Busy Bodies, with Frances Adair Mckenzie, Parisian Laundry, Montréal (2018); drawing the curtain, Hunt Kastner, Prague (2018); Age me a heavy twig, with Carl Marin, Franz Kaka, Toronto (2018); Be Frictionless Latecomer, Simone Subal Gallery, New York (2017); Forest House, Tatjana Pieters, Ghent, Belgium (2017); Elope By Mere Thread, Paramo Galeria, Guadalajara, Mexico (2016); Chests in the Current, Motel, Brooklyn, New York (2016); and Tasting the Waters, SARDINE, Brooklyn, New York (2015). Select group shows include If I have a body, Remai Modern, Saskatoon, Saskatchewan (2019); On Anxiety, Cleve Carney Gallery, Chicago, Illinois (2018); An Assembly of Shapes, Oakville Galleries, Oakville, Ontario (2018); Line and Verse, Andrehn-Schiptjenko, Stockholm (2018); RBC 2017, National Gallery of Canada, Ottawa, Ontario (2017); Sojourner Truth Parsons, Sean Steadman, Veronika Pausova, 11R, New York, NY (2017); You are Here, Peana Projects, Monterrey, Mexico (2017); Seek Professional Help, Bureau, New York, NY (2016); and Gesture Play, Simone Subal, New York, NY (2016).